In the first section new information provided by Touraj Daryaee, etc. may be of interest to add.
In "Modern Literature" section it is essential to add Bahram Beizai's "Arash" as well; primarily as a response to Kasrai's work. This "Arash" being a "barkhani" is the revival of an ancient genre and most probably the revival of an essential sense long lost to the myth . . .
The performances of this "Arash" are also of historical interest, once in London, another time in California . . .
to the dearest memory of Ahmad Tafazzoli, the author of this essay
In "Modern Literature" section it is essential to add Bahram Beizai's "Arash" as well; primarily as a response to Kasrai's work. This "Arash" being a "barkhani" is the revival of an ancient genre and most probably the revival of an essential sense long lost to the myth . . .
The performances of this "Arash" are also of historical interest, once in London, another time in California . . .
to the dearest memory of Ahmad Tafazzoli, the author of this essay